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Exhibit Design Project Presentation Template

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Exhibit Design

Transcript: My Inspiration Final Reminder My Inspiration http://www.nhd.org/images/uploads/exhibitrules.pdf Be detailed Include: size, colors, images, Create a list of materials needed Create a timeline or list of goals You are creative A visual person You like working with your hands Your topic fits the exhibit category What is an Exhibit? I created one longer main thesis and then broke it down into three small theses. Then the research was in three panels with each smaller thesis setting the tone for the panel Make sure your font matches the time period. For example if you are studying the 1970s you should use a modern bold text. Title & Thesis are directly in the middle and easy to read Create an Exhibit if... Captions & Fonts This photograph was my inspiration Good use of Texture Overall Theme NHD is about the research Don't get carried away in the design Content is more important (60% of Evaluation) These should both stand out (larger&bolder) Your thesis is one of the most important parts of NHD: it explains your argument Your thesis should be clearly represented Even though the photo was not related to my thesis it helped with the design Captions should be the smallest text and only describe what is absolutely necessary. Not Cluttered First Steps 500 word limit is hard to follow Quotes, images, objects, etc. can help tell the story Link to the Rules: What Topics Create Good Exhibits? Borders create depth and look professional Get Creative Don't always have to use a tri-fold Can be 3-D Use Artifacts if possible Art Element used is shape and texture Borders Principles: Balance Contrast Emphasis Movement Pattern Rhythm Unity Inspiration Look through photos or paintings and get a sense of not only your topic, but the time period. What are common colors? What are common styles? What were common texts/graphics? Think about what exhibits looked like at the museums that you have visited. Research your topic. Make sure the topic fits the theme. Write the thesis statement. Write the text for the exhibit. Look for inspiration for design. Step Two: Create a Sketch http://www.ww2sci-tech.org/expert/expert.html ALWAYS Remember The Rules Think Outside The Box Colors Use colors that represent your topic Example: Topic is Pickett's Charge during the Battle of Gettysburg. Colors you should use are grays and dark blues (because gray and blue uniforms were used for the Confederate and Union soldiers). Idea: Print your text on cream colored paper; it will look nice and seem old Hint: Look at details An exhibit is a mini museum. You are expressing a story through photos, objects, or graphics. Museum design is a form of art Remember the Elements and Principles of Design Title and Thesis What I Did Before even reading the title you should be able to immediately see what time period it is Great use of photos Those with lots of primary sources/ artifacts. If your primary sources are mainly film and audio, an exhibit might not be a good option. For one of my exhibits this website was my inspiration Elements: Line Color Texture Value Form Shape Size This used up a lot of my 500 words but it got my message clearly across and I used a lot of quotes to tell the story Before reading the title I can tell the exhibit is about the 1950s The "Fast Food Revolution" & car create a line. Moving your eye to the Drive through sign.

Exhibit Design

Transcript: Unions Required Skills Our Art Exhibit Types of Exhibits & Shows Museum Gallery Art Show Library Labor Rates general display labor, electrician, rigger, plumbing, forklift + operator etc. Exhibit Costs cost of square footage & storage National Daily Per-Diem Rates (if traveling) hotel, food, car rental Shipment Costs Often requested by a specific client who has a certain criteria such as budget, theme, available space, who they’re trying to appeal to etc. Budgets Involved -The Louvre Museum, Paris, France -The Smithsonian Institution, Washington D.C. -The Acropolis Museum, Athens, Greece -Los Angeles County Museum of Art An internationally recognized national trade association engaged in the design, manufacture, transport, installation and service of displays and exhibits. (primarily for the exhibition and event industry) Provides education, leadership and networking for the advancement of its members and the industry EDPA organizes one anual meeting, trade show & golf tournament for industry members & suppliers Holds quarterly board meetings, publishes a printed & electronic newsletter and membership directory Absolute Exhibits Inc. Tustin, CA Exhibit house, exhibit builder, trade show booth Your "one stop shop!" Skyline (trade show services / booth rentals) Los Angeles, CA Steelhead Productions Las Vegas Chicago New York Washington D.C. Important Exhibits Domestically & Internationally EDPA- Exhibit Designers & Producers Association Ability to draw scale model layouts and floor plans Ability to work well with clients in order to design what they like including limitations with theme and budget Knowledge of how to purchase supplies and manage construction of final design (hire workers) Knowledge of programs like photoshop to create models Exhibit Design By: Madison Parsons & Tyler Vaughn Rental Companies

Exhibit Design

Transcript: INSTALLATION OF AN EXHIBITION Sustainability Both natural and artificial light contain infrared radiation which generates heat. This is potentially harmful to delicate objects and needs to be kept to a minimum. experimenting with new materials new construction techniques alternative uses for traditional materials laser cutting The height of cases and objects needs to be suitable for all visitors, whilst still creating interesting and beautiful displays. The use of platforms and acrylic boxes to create different levels within a case is useful as are a host of invisible fixings used to safely secure precious or delicate objects. Display units Exhibition MDF plywood plasterboard different foamboards It is common for the main construction to take place in sections in the contractor’s workshop. Glass cabinets are so important, particularly in museum environments. When objects are delicate in terms of conservation, they will require the security and protection of a display case in order to control access, humidity, lighting and temperature as necessary. What colours and types of surface will most appropriately support the objects? Bright colours that detract from the display are best avoided, although the contrast of neutral tones between object and background can help objects stand out. These three types of lighting, used together, build up layers of light and colour. Trade exhibitors often use brightly lit stands to compete with their neighbours. This generates so much heat, that exhibition halls sometimes need ventilation. Most lighting schemes will use a combination of ‘ambient light’, which describes the general illumination, ‘accent lighting’, which dramatically lights one element to create highlights, and ‘sparkle’ which involves special lighting effects to create a spectacle. They help to illustrate an overall understanding of spatial relationships, acting as three-dimensional maps that help us to navigate our way through a narrative. Models of reconstructions help us to imagine sites that no longer exist. A model illustrating the layout of a Roman fort, for example, enables us to see how the fort was laid out, helping us to gain a better understanding of how people lived and worked there. Often models ‘in the white’ help to emphasise a particular part of a story without the distraction of colour. The use of materials in museums often will deal with conservation requirements Models MATERIALS More used materials: Production The use of glass cases in museums requires careful management of lighting to avoid glare and multiple reflections, which are particularly troublesome for partially sighted visitors It´s important to have into mind standard sizes of flat materials. Exhibitions in historic buildings Services ‘Drops’ or suspensions points enable structures, banners and lighting rigs to be hung from the ceiling of the hall. Most exhibition halls have a solid concrete floor, with service channels at regular intervals. A 100mm (4in) softwood plinth enables water pipes or electrical cabling to be brought up from the floor, although occasionally electricity is brought in from overhead. Floor coverings are usually the first component of the stand to be put in place, and are covered and secured with a thick plastic sheet for protection. Lighting The designer needs to be aware of existing conservation rules and regulations, designed to protect the fabric of the existing site. There will be strict guidelines about attaching exhibition structure to walls and floors, and there may also be conservation implications in terms of heating, humidity and light. It is not unusual to have to design free-standing exhibitions that do not connect in any way with the building. Heritage conservation The complexity and choice of materials, for example curved walls and extra levels, will impact on the construction costs and may have access implications. These materials are used to build a carcass to which all the others elements will be attached. Finally they are all finished as specified. reduce + reuse + recycle One of the main considerations for the exhibition designer, whether working commercially or culturally, is how the objects or products will be displayed. This is an important part of exhibition design: for many visitors, the items on display are the main reason for attending the exhibition. legal and ethical requirement In order to protect vulnerable collections, all materials and glues need to be labtested in advance of use. Colour choices in historical environments are more successful when they respect the historical development of colour, and its evocation of specific periods. On occasion, models may be working mechanisms, or automata used to illustrate a process or physical principle.

Exhibit Presentation

Transcript: Shake It! PURPOSE Shaking is the drying mechanism of many animals. PHYSICS is all around! Walk-through Giant touch screen instructions prompt visitors to shake upbeat music plays simultaneously Motion detectors record & graph the oscillation frequency of the shaking visitor Visitors are matched to an animal with the corresponding shaking frequency + fast facts and explanation of Science behind it There's more Individual Challenge A wet animal of the visitor's choice is projected on the screen The visitor shakes to get the animal dry Visitors will SEE THINGS THROUGH TO THE END! Individual challenge Demo Group challenge The whole group shakes and their overall shaking frequency/pattern should match the graph on the screen Encourages COLLABORATION! Group challenge Demo Hall of Fame Top 5 visitors for both challenges go into the Shake It Hall of Fame! What do the statistics say? Age? 0-20 21-40 41-60 61-80 Would you feel comfortable shaking in public? Yes No Would you feel comfortable shaking for education purposes (in an Ontario Science Centre Exhibit)? Yes No Would you want to shake if you see a screen playing videos of people shaking? Yes No Overall Thank you for listening! (cc) photo by Metro Centric on Flickr Smartphone app Bonus!!! (cc) photo by jimmyharris on Flickr Visitors will have the option to save their video shaking on the exhibit database. It will then be added to the video montage playing when the exhibit is not in use. (cc) photo by Franco Folini on Flickr Age 0-20 Makes exhibit more engaging! (cc) photo by Metro Centric on Flickr attract visitors get them curious arouse interest Download the video of them shaking at the exhibit Learn new facts relating to the oscillations of animals and shaking mechanisms Be able to shake phone and it will graph the frequency/ oscillations Video montage

Project presentation template

Transcript: text box Sheet title Sheet title Sheet title images & text images & text Project title here Project title here PROJECT TITLE Sheet title text box add logos here text box Project title here Project title here Project title here Project title text box Project title here text box Sheet title Project title here Project title here Assignment text box Sheet title images & text add logos here xx/xx/xxxx text box Project title here text box CHAPTER II "Quote relevant to project" text box images & text text box images & text Project title here Project title here images & text text box "Quote relevant to project" images & text Project title here CHAPTER III text box text box text box IDEAS & AMBITION Sheet title Project phase images & text add logos here images & text text box xx/xx/xxxx text box images & text text box text box Project title here DESIGN PRINCIPLES Project title here images & text Sheet title Project phase text box Sheet title images & text images & text images & text Sheet title Sheet title text box Sheet title Project title here images & text text box text box Sheet title images & text text box images & text text box PROJECT TITLE Project title Project title Sheet title Sheet title Project phase images & text images & text "Quote relevant to project" Sheet title images & text images & text Project title here Sheet title Sheet title images & text text box text box text box text box text box CHAPTER 1 Sheet title text box text box Project phase DESIGN images & text images & text Sheet title Sheet title Sheet title Project title here Project title here Project title here Sheet title text box Sheet title Sheet title PROJECT TITLE Project title here add logos here Sheet title Sheet title Project title here text box Project title here Project title here Sheet title Project title here images & text Project title here text box xx/xx/xxxx Sheet title Project title here Project title here images & text images & text images & text ANALYSIS Sheet title Project title here "Quote relevant to project" RISKS & OPPORTUNITIES Project title images & text PHILOSOPHY PROJECT TITLE Quote & cover image Sheet title images & text images & text IDEAS & AMBITION images & text images & text "Quote relevant to project" Sheet title Project title here AULa Design Bert Tjhie Tao Wang Postbus 1993 | 1000 BZ Amsterdam Cruquiusweg 111A | 1019 AG Amsterdam T +31 (0)20 624 5904 E info@aula-design.com www.aula-design.com © AULa Design 2013 Project title here cover image here Project title here Sheet title Project title here Sheet title Project title here text box Project title here CHAPTER IV Project title here Sheet title Project title here TABLE OF CONTENTS Project title here Project title here text box Write assignment here text box text box text box Project title here Project title here images & text Project title here Project title here Sheet title text box Sheet title Sheet title Project title here PROJECT NAME text box Quote & cover image Sheet title xx/xx/xxxx Sheet title text box Quote & cover image Sheet title Sheet title images & text text box Sheet title

Template Design

Transcript: Motivation Motivation Advantages both economically and politically. Influence public opinion, thus the ability to impact societal perceptions and even shape policy decisions. Can work as a framework for policymakers, social media platforms, and civil society to monitor and respond to the evolving landscape of political discourse. Keep your words short and punchy so your audience stays focused. You can add imagery and frames to keep their attention where you want it. Methodology A pipeline with 5 stages+ Data A pipeline with 5 stages+ Stage.1: Preprocessing Stage.2: Topic Modelling Stage.3: Event Detection Stage.4: Story Extraction Stage.5: Competing Narratives Detection 1.2 million tweets of European politicians extracted from Twitter for the period from January 1, 2022, to December 31, 2022. Tweets are narrowed down to tweets authored by German speaking politicians in 2022. Extracted tweets attributes: 'id', 'user-id', 'date', 'text', 'lang', 'translation' and 'sentiment'. Map of user party affiliation, which includes user IDs and their corresponding party affiliations. (Source: Wikidata) Put a bold statement here Use this space for details that you haven’t talked about yet. Relate what you’re saying to the nearby image so your audience has a visual, too. Use this for a powerful quote or statistic. Content Motivation Introduction.. Data. Method. Evaluation. Conclusion. Automated Identification of Competing Narratives in Political Discourse on Social Media Ahmad Hamadeh Hannover, den 15. Mai 2024 Conclusion

EXHIBIT DESIGN

Transcript: EXHIBIT DESIGN - create appealing displays in educational settings like science centres, museums, and zoos. WHAT IS EXHIBIT DESIGNING?

Exhibit Design

Transcript: Welcome To The Global Awareness Gallery ENTRANCE Waiting Area Kiosk Room Donations Gift Shop Exit Welcome! On behalf of the Global Climate Awareness Group, I think you for your attendance. This gallery is filled with photographs, digital images, and paintings that represent out changing climate and the impact climate change has on our planet. Info While in the gallery, your group will only have 10 minutes to view the art to create a sense of urgency regarding climate change. All of the works are aviable to view at the kiosks outside the gallery if you miss one or want more time with a piece. Please note that some of images are very emotionally charged. Fun Facts! This gallery is 100% powered by renewable solar and wind energy The open, circular format represents the world we live in and how we are all connected. While admission to this gallery is free of cost, we hope that you find ways to invest your funds into bettering our planet. At the end of the gallery tour, there are kiosks where you can learn more about climate groups that you can donate to, and you will also find our gift shop with products to reduce single-use plastics. 40% of proceeds from the gift shop will go towards climate active groups. We want to show you that you can make a difference. All artists depicted in this group are also climate activists. Cascade, 2015 Cascade Cascade Alexis Rockman 2015 Oil and Alkyod on Wood Gand Rapids Art museum Cascade Alexis Rockman 2015 Alexis Rockman is a climate change activist who had been working in 1994 on spreading the word of our changing world through art. "Cascade" is part of a collection that explores the history and future of America's Great Lakes. Rockman hopes that we can rally as a species and avoid disaster, and his art contains the fear he feels on what would happen to our Earth if we lost the Great Lakes. Rockman uses his artwork to allow people to visually experience the change Rockman depicts in a more impactful way then just reading it in the news. By using bright, vibrant oil colors and realistic scenes, Rockman draws the eye from the left side of the painting to the right, showing the habitats and the animals and then what they are heading towards. The work is striking and ominous, but the live animals depicted on the left-hand scene give us hope and something to want to save. "Cascade" is part of Rockman's "Great Lakes Cycle" and can be found in Grand Rapids Art Museum. Consider donating to The Great Lakes Commission to support conservation How You Can Help. Look at the left-side of this painting? See the caribou, the fish, the migrating ducks? Look at the melting ice behind them with their cool colors reflecting a feeling of calm. Can you spot the snake in the water? This painting shows us the beauty of the Great Lakes, a place that hold 20% of the world's freshwater reserves. Now, look over to the right side of the painting. The colors are warmer where, brighter, almost showing the world at sunset on its last day. Do you see the waste in the water? The colorful sheen of oil in the background? Look at the logging boats and the fishing lines. This is the disaster pending, and the animals on the left are swimming right towards it. "I made art partly to cope with what I was witnessing and to support a campaign for conservation. I believed that if one could render moments of extinction, genocide, population explosion and political discord visible, then we might learn to confront and change the conditions leading to civilization’s collapse" Rockman says, expressing feelings we have all felt. Take one last look at this painting and remember how beautiful the left is and how horrifying the right looks. Deforestation Habitat Deforestation Deforestation Jill Pelto Watercolor Deforestation "Deforestation" by Jill Pelto is part of her collection "Habitat Degradation" which comments on the negative impact humans have had on ecosystems across the globe. While also being a scientist, Pelto travels around the world, collecting data on receding ice sheets and dabbles in art on the side. She hopes to show the impact people have on the planet by painting about issues to spread awareness. Pelto's collection, "Habitat Degradation" includes melting ice, massive wildfires, overfishing, ocean pollution, and mining. "My love of nature drives me to creatively communicate information about environmental issues with a broad audience" Pelto says on her website, "I see nature as a work of art, and the origin of my observational skills." While her pieces are not in any museums, Pelto does display her art at functions to help raise awareness. Her background as a scientist fuels her painting, and her degrees in Master of Science and her bachelors degrees in Studio Art and Earth Science further build her credibility. Check out more of Jill Pelto's work: http://www.jillpelto.com/gallery Consider donating to "Amazon Watch" or "Amazon Conservation Association" How You Can Help. Look at the way the tiger is separate from

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